As you may have seen looking at the recommended readings on Abstract Expressionism, the painter Barnett Newman described “the impulse of modern art” as the effort “to destroy beauty.”
To destroy beauty
Month: March 2011
“Neither a savior, nor a samaritan . . . a baseball man”
One of the great stories of New York City in the 1940s that our course somehow manages to miss is the tale of Jackie Robinson, the Brooklyn Dodgers, and the integration of major-league baseball.
“If we don’t watch out, the apes will take over”
So, Tennessee Williams is reported to have said when asked the theme of A Streetcar Named Desire.
Hot and Cold
She was beautiful and I was terrified of her.
— Nancy Macdonald’s memory of the young Mary McCarthy
So far as I know, the lives of Mary McCarthy and Otto Preminger did not overlap in any significant way. They worked in different art forms, moved in very different circles, and had quite disparate interests. But they had one important quality in common. At the center of both The Company She Keeps and Laura lies a distinctive and powerful conjunction. In each we see a fascination with the sexual freedom experienced by well-educated, career women living in New York City. And in both texts, the glamorous and possibly disturbing implications of that freedom are viewed from a narrative perspective that is striking for the analytic distance and emotional neutrality it maintains toward its subject matter. In short, passion viewed dispassionately. Hot and cold.
A character out of Dostoevsky
One of the interesting historical curiosities of Lionel Trilling’s Middle of the Journey is the fact that the novel depends heavily on the figure of Gifford Maxim–a barely fictionalized representation of Trilling’s sometime associate Whittaker Chambers. Chambers was little known in 1947, when Trilling’s book was published. But in the following year he would become a figure of national controversy when he publicly accused State Department official Alger Hiss, among others, of having spied for the Soviet Union. That accusation resulted in a political firestorm and became a central episode of postwar American political history.