a course on the the literary and cultural history of NYC in the golden age of the 1940s
Aaron Siskind, “Harlem” (1940)
As the career of Ann Petry indicates, Harlem in the 1940s was a center of civil rights activism. As her novel suggests, it was also a breeding ground for musical innovation. During the same years, the ghetto life that Petry depicted attracted a number of great photographers.
As you know from reading Cheryl Greenberg’s “Mean Streets,” Harlem in the mid-forties (the setting of Petry’s The Street) was a ghetto neighborhood that had been ravaged by the Depression and by decades of racial injustice and segregation.
Updated to fix links.
Another obituary in the news today that provides a glimpse into the fascinating history of postwar new York City. The great New York rumbero Totico has died.
That’s what the movie’s screenwriter, Abraham Polonsky, called Body and Soul.
No telling at this point whether campus will be open and we’ll have class to discuss this tomorrow. But we will talk about Body and Soul at some point. In the meantime, you may wish make comments or raise questions about the film here.
Today, the New York Times runs a book review of a new biography of the remarkable and strange Alan Lomax–the son of the pioneering folklorist John Lomax and himself a man responsible for recording thousands and thousands of hours of folk music from the U.S. and around the globe. Working first with his father and then independently, Alan Lomax was responsible for introducing a great deal of folk music and many artists–most famously Leadbelly–to popular audiences. As the review suggests, he was a bit of an obsessive.
Lomax’s life and work makes for a fascinating story. It’s a reminder, too, of the very interesting phenomenon of the folk music revival that began in New York City in the 1940s.