Together in Solitude: The Carefully Bound Friendship of Hannah Arendt and Mary McCarthy

  At the end of Mary McCarthy’s 1975 eulogy for her dear friend Hannah Arendt, which was later published as an essay called “Saying Good-Bye to Hannah” in McCarthy’s book Occasional Prose, McCarthy tells an anecdote about a visit that Arendt paid her at her home in Maine. It was the summer after Arendt’s husband, … Read more

Allen Ginsberg in the 1940s: The Making of a Poet in New York City

By Emile Anceau

 

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Allen Ginsberg — as photographed by William S. Burroughs — on the rooftop of his Lower East Side apartment, between Avenues B and C, in the Fall of 1953.

 

Allen Ginsberg lived fully through the second half of the 20th century. As America was then the dominant nation in the world, Ginsberg was at the very core of what was also the dominant scene – both cultural, and political. Throughout his life, he was involved in several political and social issues which divided America (his relationship with communism, his protest against Vietnam war and more generally for peace, his fight for homosexual recognition and legalization of marijuana… these are the main issues that public opinion remembers of the poet as an “activist” and which are all very tinted with the ideas of the movements appearing in the 1960s) and in this respect it could nearly be possible to write an American history through Ginsberg’s experiences and involvements as it seems that he was present on the scene of every major events of the second half of the 20th century in America. Even when he was still a young man in formation, Ginsberg was already at the very core of what moved America, since New York City in the 1940s was then undoubtedly “the place to be” for a twenty years old aspiring poet eager to discover the intellectual, poetical and musical scene of America, but also for a young man struggling with his sexuality.

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A Manhattan Intellectual’s Guide to the Art and Business of Simply Going Mad

By Michael Darer

neuropsych
from Neuropsychiatry in World War II, Office of Medical History, US Army Medical Department

 

Mental illness and the treatment surrounding it has always had a complicated place in American society. The spectre of madness–as some might have called it– has been around for centuries, going by numbers of informal names, and treated through numbers of untested methods. Despite periods of misunderstanding, fear, and disinterest, however, questions of sanity and mental health have long had a position in American culture.

In the mid-20th century, however, that position solidified.

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The New York City Fashion Industry, Female Fashion Editors, and their Influence on The Locusts Have No King

By Natasha Cucullo

Locusts

 

“For all its sweetness and light, Locusts is an intelligent, hard-headed, clear-eyed examination of art, love, ruthlessness, infidelity, commerce, ambition, betrayal and destruction. It is, in short, a quintessential New York novel…The whole novel rings as true now as it must have more than a century ago” –Katie Christensen, Barnes and Noble Review

 

The Locusts Have No King by Dawn Powell is a satirical work of fiction documenting the lives of the sexually independent and aggressively business-oriented men and women of the New York publishing and performing worlds in the late 1940s. Filled with lust, love, confusion and betrayal, Powell narrates the professional, sexual and social experiences of the three main characters, Frederick Olliver, a writer for small literary journals waiting for his big break, Lyle Gaynor, “the better half of a married team of successful Broadway playwrights” (Morris, The New York Times), and Dodo Brennan, Frederick’s new love interest, and the plot unfolds as their affairs are pushed to the brink. Published in 1948, The Locusts Have No King is a production of its time; World War II opened up crucial opportunities for women in the workforce—and for women seeking executive positions, fashion and fashion-related industries (which include theater, publishing, art, and design) provided a space to take on greater responsibilities in management. Powell infuses her characters with the attitudes that women and men possessed in this changing social, political and economic milieu.

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